Jackson Potter, Restless is reviewed by Michael Doherty’s Music Log

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Jackson Potter


by Michael Doherty

Jackson Potter: “Restless”
 – Guitarist Jackson Potter’s debut album features mostly original compositions, beginning with “Bird Flu,” an energetic piece that contains some delicious leads on piano and guitar and saxophone, and seems to be in constant motion. What is exciting about this piece is that during a lead the other musicians do not settle into the background waiting their turns, but keep up their own energy and fantastic work. The band is made up of Patrick Leavy on bass, Gibb Mandish on drums, and Leo Folsom on piano, with David Mason on alto saxophone, Joey Curreri on trumpet, and Carter Key on tenor trombone. “Bird Flu” is followed by “Falling Grace,” one of only two covers, this one written by Steve Swallow. As with the opening track, there is a strong sense of movement here, particularly in Jackson Potter’s guitar work, which seems to flow and dance. Then “Mulberry Tree” has a pleasant and warm, nostalgic vibe. “Sophia’s Waltz” has a sweet, gentle sound, a love song that will bring to mind that special person in your life. Then “Amalfi” features some really good work on drums, particularly toward the end. The album’s second cover is Horace Silver’s “Peace,” which begins with a pretty guitar solo, and features a wonderful lead on bass. That’s followed by “Hindsight Is 2020,” which was written during the pandemic. And though 2020 is technically in the past, the pandemic certainly isn’t, and most of the events and effects of last year are still with us, and so this track doesn’t really look back, but captures the current mood. It features some great work on drums, as well as from the horn section. The album concludes with “Restless,” which comes as a surprise, Jackson Potter turning to more of a rock guitar sound at the beginning. Before long, this track commands your attention. This album is scheduled to be released on October 8, 2021.

Kari Gaffney

Kari Gaffney

Since 1988 Kari-On Productions has helped artists get an even footing in the industry through jazz promotion in the genres of Jazz, World & Latin Jazz through Jazz Radio and Publicity. Why do we do both, because they compliment each other, and we care about fiscal longevity for the artist.

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