Bman’s Blue Report reviews Cortez/Williams Project, Hermanos

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Cortez Williams leader picture


by Bman

Chris Cortez - Hermanos

I just had the opportunity to review the most recent release, Hermanos, from Cortez/Williams Project and it’s quite enjoyable. Opening with title track, Hermanos, and a Latin rhythm carried by Doug Matthews on bass and, Walt Hubbard on drums. Chris Cortex takes the first melodic solo on guitar with clean, fluid runs over the piano work of Bob Thornton and Dan Jordan on flute. Larry Williams’ trumpet is really nice with open bell and thoughtful phrasing, followed by Jordan on flute. Very nice opener. Another Latin based number is Un Pedazo De Tu Sonrisa. With a Samba beat by Jeremy Katalnic and a cool trumpet lead by Williams , reinforced by Cortez on guitar this track is anything but predictable. Thornton’s direct piano solo is engaging and tight. Silhouette is an inciteful piece with a convoluted melodic interplay between  Jordan on flute, Williams on trumpet and Thornton on piano and featuring  Marco Bojorquez on bass. Topaz is one of my favorite tracks on the release with a percussive lead by Jeff Sipe and really nice guitar lead by Cortez. Williams’ trumpet lead is really nice with strong runs, reinforced by Cortez on rhythm guitar and tight rhythm by Sipe. Excellent! Territorial Imperative is a cool bop track with wide open trumpet lead by Williams over Doug Matthew on bass, Hubbard on drums and Thornton on piano. Jordan really rips on tenor sax on this one creating a strong tension. Wrapping the release is Building On A Dream … muted trumpet by Williams over clearly articulated guitar work by Cortez. Cortez really gets a nice opportunity to stretch on this one making it an excellent closer for a strong new serious jazz release.

Kari Gaffney

Kari Gaffney

Since 1988 Kari-On Productions has helped artists get an even footing in the industry through jazz promotion in the genres of Jazz, World & Latin Jazz through Jazz Radio and Publicity. Why do we do both, because they compliment each other, and we care about fiscal longevity for the artist.

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